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Red Globe Press
Bloomsbury announces the acquisition of Red Globe Press from Springer Nature Group. Find out more

Theatre and Dance

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Publisher:

Red Globe Press

Pages: 104
Series:

Theatre And

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AVAILABLE FORMATS

Paperback - 9781137605740

05 March 2018

$9.99

Ebook - 9781137605757

16 December 2017

$7.99

Ebook - 9781137605764

10 November 2017

$19.99

All prices are shown excluding Tax

We regret that at present you cannot buy books direct from the website. This is while Red Globe Press books move to Bloomsbury’s website and warehouse, following the acquisition. RGP titles will be available on bloomsbury.com from early fall.

Please purchase from your local or preferred online bookshop.

For exam copies, please email askacademic@bloomsbury.com with course details (course name, level, module, no. of students, start date) and your academic address.

This succinct and engaging text explores the interdependence between theatre and dance. Making a compelling case for the significance of resisting genre distinctions in the arts, Kate Elswit demonstrates why and how the...

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This succinct and engaging text explores the interdependence between theatre and dance. Making a compelling case for the significance of resisting genre distinctions in the arts, Kate Elswit demonstrates why and how the ampersand between theatre and dance needs to be understood as the rule, rather than the exception. This illuminating guide focuses on the interconnected ecosystems of practice that constitute performance history, the expansion of theatre and dance forms on contemporary North American and European stages, and the disciplinary methods that scholars use today to understand such practices, both past and present. 

Accessible and affordable, this is an ideal resource for theatre students and lovers everywhere.

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  • Contains five case studies exploring recent performances that unpick the intersections between theatre and dance
  • Situates individual histories, contemporary practices, and scholarly methods within a broader performance context
  • Offers strategies for working between the disciplines

“Theatre,” “&,” “Dance”.- Interlude: Participatory Theatre Does Dance Marathons.- Interconnected Histories.- Interlude: Verbatim Theatre Does Bharatanatyam.- Expanding Forms.- Interlude: Dance History Does Greek Tragic Drama.- Overlapping Methods.- Interlude: Downtown Dance Does Musical Theatre.- Conclusion.- Outrolude: European Dance Theatre does European Vernacular Dance and Theatre

A brilliantly lucid account of the tangled histories and contemporary partnership of theatre and dance. – Susan Manning, Northwestern University, USA.
The ideal guide to the complex entanglements of theatre and dance. A distillation of Elswit's expertise, broad in scope and rich in elegantly formulated insights. – Nicholas Ridout, Queen Mary University of London, UK.
The book was excellent ... If you work in a department of Theatre and Dance and you have an annual department retreat, I do think everyone should buy this book and read it and talk about it together. – On TAP Podcast.
Theatre & Dance is an endlessly useful book […] Elswit’s text manages the difficult task of distilling with energy, clarity, and insight an interdisciplinary and often contentious conversation about performance histories, aesthetics, and practices. – Ariel Nereson, University at Buffalo, SUNY in Theatre Survey (2019)
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Kate Elswit is Reader in Theatre and Performance at the Royal Central School of Speech and Drama, University of London, UK, and author of Watching Weimar Dance (2014). She has won four major awards for scholarly publications―the Oscar G. Brockett Book Prize from the Congress on Research in Dance, the Gertrude Lippincott Award from the Society of Dance History Scholars, the Biennial Sally Banes Publication Prize from the American Society for Theatre Research, and honorable mention for the Joe A. Callaway Prize.

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Kate Elswit is Reader in Theatre and Performance at the Royal Central School of Speech and Drama, University of London, UK, and author of Watching Weimar Dance (2014). She has won four major awards for scholarly publications―the Oscar G. Brockett Book Prize from the Congress on Research in Dance, the Gertrude Lippincott Award from the Society of Dance History Scholars, the Biennial Sally Banes Publication Prize from the American Society for Theatre Research, and honorable mention for the Joe A. Callaway Prize.

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